![]() ![]() The remarks by Pullman are rewarding, yet, while he may be an excellent author, he is not a scholar ofMilton Unlike Orgel, there are no remarks or notes to explain Milton’s usually strange language and intimations.įor readers looking for annotated variations, I suggest the sticking to. The message is based upon Stephen Orgel’s 2008 Paradise Lost (Oxford World’s Standards) which has in fact been enhanced probably relative to capitalization, spelling and likewise punctuation. It is a great copy for those who want simply the message of the poem. ![]() ![]() The variation with an intro along with remarks by Pullman has text that is big along with legible, line numbers and some fantastic images, drawn from the very first detailed variation, released in 1688. ![]()
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